I am home in the family abode in Sussex and England is under lockdown. It will end in December but, for now, most things are closed, and many are working from home.
When I left Japan, in September, and finally returned home I did not expect that the situation, in Europe and England, would get worse. But it did.
For whatever reasons [widespread mask use; good hygiene; differences in social customs], Japan never really experienced huge spikes in cases of Covid-19, despite being a densely populated archipelago of 126 million.
From March to September, of this year, a hostel in a shopping arcade in Fukuoka, the biggest city on the southern island of Kyushu, was my home. And I made it work. I would shop at my local supermarket, often venturing there late in the evening to snap up bargains. I cooked in the hostel’s kitchen. I worked in the common area. I even entertained guests (Hi Heloisa and Debs!) at my hostel, cooking for them, or just drinking away splendid evenings.
I wrote articles for the BBC in the evening, while hostel guests chatted with me, and I had to politely tell them “yeah, I’ve got to finish this” and the next day I’d wake up and the article would be published for millions to read around the world. I filed stories about China and about Japan, for the likes of Business Insider, BBC, and The National.
Anyway, all that is now in the past. Usually when I go on one of my stints of travel, I am wistful and nostalgic about them afterwards. And although I do miss aspects of living in Fukuoka (mostly these aspects are derived from the fact Fukuoka is a city of many people and I have finally realised I enjoy city life) this time, even though I am under lockdown in parochial England, living a quiet life of rural runs and PlayStation, I do not feel so nostalgic about that time. Mostly because there were periods of stress, pressure, and misery in that hostel, while pandemic lockdowns bloomed around the world.
Over the past weeks, I’ve been busy, falling into a mostly satisfying schedule of pitching, reporting and writing my freelanced articles. Very recently, however, my productivity has plummeted. And I think this is because I’ve been straining against my real inclination. Recently, I’ve wanted to concentrate on working on my own writing. My creative projects: essays, nonfiction, and fiction. That’s the stuff I’m truly passionate about.
Journalism is great and I’m so grateful that I’m still employed and earning, doing a job that is varied, interesting, and full of feedback (even if it is not the most remunerative in the world). But we all have our true obsessions and literature happens to be mine. I just couldn’t get to it as much as I could recently; I couldn’t dedicate my time and attention, my sole focus, to it; and I raged at having to finish the work I had to do, on time, and as close to the lofty standards I set myself. Perhaps it is this friction that can lead to some form of burnout.
Lockdown is boring, of course, but with these restrictions and limitations I don’t feel it’s a limitation on creativity per se. Having a sheltered time to read good books and to think about writing is ideal for me (although obviously I wish I had the option to do other things as well).
For now I can only bide my time and work on the things I care about, write the things that earn the money I need and save up for the travel that will, eventually, be open again. Patience and forbearance have always been virtues. While angst, resentment, and despair have never been very useful emotions however “appropriate” to the current situation they may be.
My writing life
A Moleskine I bought in Taiwan last year that has now seen ink
It’s been some time since I last updated this blog. I just haven’t felt the need or energy to do so. I focused on paying gigs and the secret writing I do in my spare time. And the blog inevitably took a backseat.
I’ve been enjoying reading, ripping through Tolkien’s The Children of Hurin (a good yarn), finishing Rachel Cusk’s Outline (deep and precise), and enjoying Tim Marshall’s Prisoners of Geography (clear-eyed and illuminating). I’ve also been gaming a lot, completing The Last of Us Part II and starting Assassin’s Creed Odyssey. And watching a lot of movies and shows. Hashtag lockdown life.
Bylines, bylines, bylines
I was delighted to debut in my first literary journal, a piece of nonfiction for nature writing journal The Willowherb Review. I wrote about videogames, the nature within videogames, my journey from China to England (and vice versa), and traveling to the Philippines:
I spent two months while I was in Japan interviewing the right people, getting endless feedback from my editor, researching and learning about wind turbine design, the energy situation in Japan, climate change and typhoons to write this 2,000-word piece for BBC Future Planet:
I also spent an ordinate amount of time researching and interviewing for this in-depth feature for Business Insider, exploring why Japan’s software industry kinda sucks:
I had fun writing about how I got hooked on Call of Duty: Mobile’s mode ‘Attack of the Undead’, while I was living in Japan, for UK publication GAMINGbible:
I’ve been in Japan since March but I haven’t eaten sushi, at a restaurant, ’til this past week.
A friend and I went to a sushi restaurant. We ordered our selection. They brought the sushi carefully arranged on the plate. And each plate looked immaculate, as if it was art. I tried a variety, from their menu. For my second plate I ordered the salmon again. I put it in my mouth and chewed it slowly. The texture was like cream yet meaty; a careful savouriness engulfed my mouth, and the rice gave it a floury pillow. It was an intense enjoyment.
We drank green tea then shochu. We talked about the delicious food we’d eaten in times past. Around us were Japanese couples, friends, and work colleagues enjoying themselves. It was a wonderful evening.
As we got up to leave, my friend went to use the bathroom, and I stopped to look at the sushi chefs. They were held in the middle of the restaurant separated by glass from the diners. I looked at them and felt some complex emotions. I realised it was envy. I envied them.
But why?
I guess it was the simplicity of their job.
I have heard that it takes some time to become a sushi chef and it can take years of training. I am sure great manual skill is involved. But some of it sounds like sushi-chef propaganda. It is, after all, just cutting strips of fish and collecting rice together neatly. But I envied the physical aspect of their job. And its focus.
Journalism can be very tiring. I once heard that burnout most often occurs when you most care about the work. And these weeks have been busier and more exhausting than usual. I am not reaching burnout, but I am looking forward to a little holiday.
However, the yearning for a different kind of job remains. I’ve had this desire — medium-strength, like sake, or tabasco — buried for a few years. It as if the heart wants to live something else for a while. Like a hunter might want to switch things up the next season by being a fisherman; or the spear-fisher wants to try foraging for a while. It is not unnatural.
I looked at the sushi chefs and wondered for a moment what it would be like to switch places. Then we left and the moment passed. The desire won’t go away.
Lu-Hai Liang has been published in The Guardian, Daily Telegraph, CNN, Aljazeera, New Statesman, The Atlantic, BBC, WIRED, and many more. He is a freelance journalist who lived for six years in Beijing, but is now recovering elsewhere. You can learn more about him here.