Lu-Hai Liang

Near the Cliffs of Moher (all images LHL)

It’s been over 8 weeks since my last round-up of interesting articles, but here is a selection, plus an update on my writing life. First up, this piece on BBC Worklife — Why some people are impossibly talented

Super science-writer David Robson (he’s also been a commissioning editor for me) writes about the secrets of polymaths, and how you too could learn to be more multi-talented.

Modern society teaches us to specialise; to become highly skilled in a niche as an expert in a specific subject or skill comes with a certain cache. But it seems that having diverse interests might be better for creativity and life satisfaction. A key tip I gleaned was that shifting between different interests might boost overall productivity. So no need to feel guilty if you decide to take a short break from writing to practice the trombone.

Next, an interview on LitHub with one of my all-time favourite writers — John Jeremiah Sullivan: There’s No Such Thing as Wasted Writing

Sullivan is an Southern American writer whose sentences have a cocaine-like* quality in their smooth clarity and whose paragraphs flow and sing like no other is a bit of a hero of mine ever since I stumbled onto his journalism collection Pulphead.

*don’t do drugs, kids!

It was interesting then to learn that he finds the act of writing torturous: “I sit down to write the way you’d sit down with your parole officer. Any buckets are for puking in”.

Sullivan knew writers from a very different generation: the kind of writers who walked in the shadow of giants like William Faulkner and it was instructive to hear him talk about one of these geezers: “I felt grateful to know people like Lytle, who had come from a previous era that possessed a kind of egomaniacal passion we hardly have access to now. Lytle was someone who talked about prose as a vocation, with no irony. It wasn’t florid either, it was very…tough, you know?”

Lastly, I’ve been reading Nikesh Shukla’s writing tips newsletter. Shukla is a novelist and screenwriter who came to prominence for editing the landmark anthology The Good Immigrant. His advice about editing (don’t edit as you go) and “what’s it really about” I found especially useful.

My writing life 

Last month, in November, I wrote thousands of words for a nonfiction book sample. I also did some copywriting for a few clients. Journalism work has been thinner. In the past couple of weeks, I dashed off a couple of articles for two publications. One is a feature about life as a freelancer in Beijing, the realities versus expectations, and the other is about a video game.

I’ve just got back from a holiday to Ireland with a few friends. We drove around, stopping in scenic villages and driving the western coast. Ireland is very beautiful and the people are lovely. We were blessed with good weather seeing lots of clear skies and sunshine, and although it was cold, it was very cosy to get to the evening and finding yourself in an Irish pub looking forward to a hearty meal and a pint of Guinness. (It really does taste different in Ireland.)

Tomorrow, I journey to London for a writer’s lunch and afternoon meeting, which I am looking forward to. We’ll be having dim sum and we’ll talk about our work and I hope there will be some readings.

While I was on holiday, one of my friend’s made mention that it’d be nice to live in one of those small coastal towns, overlooking the sea, while writing a book. To me, and everyone else, that didn’t sound too bad.

These days, I am reading a lot more poetry than I ever did before, which isn’t difficult as I hardly ever read the stuff. I bought Ocean Vuong’s poetry book; John Burnside’s Black Cat Bone; and in Ireland I picked up a collection of W.B. Yeats. The movement and movie-like quality found in poetry I’ve found hugely edifying. It’s entire stories and narrative compressed into strange, mythical shape. I really recommend getting into poetry, especially if you’re starting out as a writer. There is no other form that is more potent.

To end, here is a 2,000 word feature I wrote about money for the BBC, which has just been published.

5 December, BBC Future — Does e-money make you spend more?

I pitched the idea for this article in Taipei, in July, and I conducted some of the interviews for this piece while living (alone) in a four-bed hostel room. Such is the glamorous life of a nomadic freelance writer. I filed it while living in a friend’s house in Beijing. And after receiving feedback from my editor, I finished off the piece with edits while living in a pod hostel in Singapore, in August, where I happened to meet an Irish girl who I caught up with while I was in Ireland, in Dublin, just a few days ago. Such is the rhyme of life!