Lu-Hai Liang

thoughts from a freelance foreign correspondent

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Why I’m heading back to Beijing – and why you REALLY should learn a language

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I’ve booked a flight back to polluted, dusty, thrilling Beijing. I’m pretty much broke and owed a significant amount of money by freelance clients. It will be a struggle to survive. I have two options: either freelance or get a job with a TV network who’ve expressed interest.

Most would plump for the latter and I wouldn’t blame you. It’s a small, independent English-language TV network. But I hear that further up the ladder it’s owned by Chinese managers connected to the government. It’s of questionable integrity.

It would still be a good experience and I’d like to brush up on my broadcasting skills. And the money and security would be nice.

But the allure of freelancing is powerful for me. It means freedom, independence and the luster of impressive bylines. The demand, like I’ve said in a previous post, is high for China-related articles.

Also I’m heading back to start a crystal meth lab. Only kidding. Probably. I’m also looking to improve my Chinese.

There’s been news about falling rates of study for languages. Businesses are increasingly looking for language skills as trade becomes more globular. If you have a language, it opens doors.

If you live in China, or looking to go there, it is easily the best investment you can make. The amount of opportunities that become available to you in business, public relations, marketing, start-ups and the media, among much else, increases vastly.

Learn Spanish, Brazilian Portuguese, Russian, Arabic or Chinese and you will be especially in demand. For a freelance foreign correspondent, it presents a particular opportunity.

The Great Wall Music Festival, near Beijing. May 2013.

The Great Wall Music Festival, near Beijing. May 2013.

Written by Lu-Hai Liang

October 7, 2013 at 5:00 am

Wishlist: 4 gadgets I’d love to do journalism with

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1. iPhone 5S, £549 (32GB)

Why? Because it’s pretty much all you need to do journalism – it browses the internet, sends emails, makes calls, records audio, takes fantastic photos and records incredible video. It’s a media production machine. I’ve heard of at least one freelancer who wrote entire features for almost an entire year using just an iPhone (more on that in a future blog).

The best thing about it is the quality of the images it can make. More than that, it’s the ease and convenience of it that puts it head and shoulders above everything else.

iPhone photos have graced the likes of Time magazine (front cover!), New York Times and much else besides. Conflict photographer Ben Lowy uses it almost exclusively and he’s covered Afghanistan, Libya and the Arab Spring.

Videojournalism? Guardian reporter Adam Gabbatt uses an iPhone to make short video reports which you can see here and here. The Guardian’s SE Asia correspondent Kate Hodal interviewed Suboi, Vietnam’s first mainstream female rapper: “I interviewed her and she gave me an exclusive freestyle, which I caught on my iPhone and then uploaded to our editors in London”.

If you are going to make a video report however, do invest in an external mic – that is extremely important. You want decent video and audio. Some sort of tripod/monopod for it would be very handy too.

2. Surface RT, £279 (with touch cover £319)

The Microsoft Surface RT is a great productivity tool for journalists. It is much lighter than most laptops, coming in at 676 grams (the Macbook Air in contrast weighs 1.3kg), and has a battery life of 8 hours. Why get this tablet rather than an iPad? Two words: Microsoft Office. Apart from being cheaper than an iPad, the Surface RT unlike all other tablets has Microsoft Word. You’ll want the optional touch/type covers – which click in magnetically – to do any serious typing work.

Yes it doesn’t have anywhere near the amount of apps Apple and Android tablets have, but so what. They are distractions you don’t need. You have the internet, email and Word (plus a front-facing camera for Skype calls) – what more do you need as a journo? You have a smartphone anyway for those apps. Another benefit is that you can split the screen in half – so on one side you can browse the web, while the other is on Word for example.

There are two Surface machines. The RT, pictured above, is the cheaper, lighter and smaller version, and runs a custom RT operating system. The Surface Pro is much more powerful (on a par with high-end ultrabooks), much heavier and runs Windows 8, meaning you can install any/all programs you currently run on a normal laptop. Most gadget reviewers say get the Pro, but I prefer the simplicity of the RT and of course it’s a lot lighter and much less pricey.

UPDATE: The Surface 2, an update to the RT, is to be released later this month. It’ll feature an upgraded processor, screen, back and front cameras and a kickstand that is more adjustable. The Surface 2 will retail for £70 more than the RT, at £349 (for the 32GB version).

Panasonic GH3 – a much better choice than a Canon 5D Mk 3, especially for video.

3. Panasonic Lumix DMC-GH3, £1299 (including 14-140mm lens)

This digital camera takes higher-quality videos than a Canon 5D Mk3. And it is well over £1000 cheaper. Here’s an excerpt from DPreview.com’s review of the camera: “The enthusiastic and largely unanticipated response to the GH2’s movie capabilities by working videographers (Google ‘GH2 video hack’ to get an idea for how keenly its capabilities are being exploited) has meant that Panasonic must now also consider that its camera is being integrated into professional video rigs”.

Needless to say it also produces great photos, and for video there is simply no equal. The sensor inside the camera will be much larger than most dedicated video cameras. And while it won’t quite be able to beat the Canon 5Ds for low-light capability, it does have better video features, frame-rate options and better detail at 1080p HD levels.

For the aspiring video journalist interested in producing films with professional-level picture quality, look no further.


4. Moleskine notebook, £9.41 (240 pages, 13x21cm)

Not exactly a gadget but for someone whose profession is the creation of words, the pleasure of putting pen on paper should still be paramount. I bought my first pocket-sized moleskine last year and I’ve loved the aesthetic, the pages are crisp and a joy to write in. The dimensions are perfect and the pocket in the back is great for storing business cards and cuttings. I recently purchased the larger moleskin (pictured) and I have to say I like it even more. A4-sized notebooks still have a place in my stationary, particularly for taking telephone and face-to-face interview notes, as well as for diagramming article structure plans. But for the simple pleasure of writing and jotting down ideas, the larger moleskin has perfect weight and dimensions.

As design critic and writer Stephen Bayley said in a 2012 article entitled ‘The joy of Moleskine notebooks’: “there aren’t many things you can buy for £10 that are the best of their kind. I buy them compulsively. It makes you think you are just about to write, for once, something brilliant.”

What exactly is a freelance foreign correspondent?

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Let me try and define it.

You go to a country. You might stay long. Or not for long before returning ‘home’.

You’re in China. In Beijing. And you explore the society and journalism topics about it all, and you pitch and write about them, about China. You grow your list of clients. But you’re also interested in South Korea. About their hi-tech but traditional society. So you read up about it. Maybe make some Korean friends. To ask questions.

Then maybe you hit on something you find fascinating. And salable. An idea you can sell. So you find contacts and maybe a Korean translator with journalism experience. You sell the idea. You book a ticket to Seoul. You find other ideas to make it worth your while. And you do your reporting while gazing at the skyscrapers and wacky advertisements and strutting South Korean girls in their converse shoes, miniskirts and perfectly arrayed hair.

Yes, you look a lot at those girls. Somehow exotic and yet familiar.

You do your reporting and you jet back ‘home’.

You become known for your interesting subjects and your unique take on China. You are also noted for your diversity (South Korea, maybe Japan and south-east Asia too).

You stay a year in China.

You become ‘famous’.

You decide to go to Brazil.

Because why not.

It’s lovely, the sand is warm. And heard you something about the…

 

For part two in this series go here

Written by Lu-Hai Liang

September 30, 2013 at 12:10 am

Welcome: misson statement

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The idea of the foreign correspondent still holds a certain pull on the aspiring journalist’s imagination. If you’re of the literary persuasion, you’ll think of Graham Greene gallivanting among the exotica of south-east Asia, or of Ernest Hemingway filing his dispatches from Franco-ridden Spain, braving bullets and swigging Valdepeñas.

Or else you think of crusaders like John Pilger, the Aussie who brought the horrors of the Pol Pot regime to the attention of people around the world.

It’s the most adventurous, intrepid and romantic of journalism’s repertoire.

Hemingway and a small tiger.

Hemingway and a small tiger.

Budgets are tight nowadays and newspapers can ill-afford to maintain many international bureaux and send reporters across the globe as they used to. But some enterprising people decide to head off pretty much on a whim, going it alone.

Deborah Bonello of MexicoReporter.com did it. Graham Holliday of Kigali Wire did it. And Kate Hodal, the Guardian’s south-east Asia correspondent did it.

So perhaps freelance is the best way to do it. You get the freedom to explore what you want to explore. Write what you want to write and travel wherever you want to go.

This blog will track a journey to be an in-demand freelance foreign correspondent. It will be a mixture of journalism tips and tricks, insights and news about the country I’m in and how you can make the most of it, as well as looking at the romance (both of life & love) of a foreign correspondent’s life. Because, let’s face it, that’s part of the fun.

About

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Lu-Hai Liang is a multimedia journalist and writer.

Contact: luhai_liang@hotmail.com

Twitter: @LuHai_Liang

LinkedIn

Short bio 

Lu-Hai Liang is a British-Chinese journalist and writer. He was based in Beijing for six years. He has been published widely in international media. 

These include The Guardian, BBC, CNN, Foreign Policy, Wired, The Atlantic, New Statesman, Aljazeera, Daily Telegraph, Dazed, Eurogamer, The Independent, and Nikkei Asian Review, among others. 

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Longer bio

Liang was born in Guilin, China, and was moved to the United Kingdom aged five, and grew up in the seaside town of Hastings in southeast England. 

Sorry, I’m going to switch to first-person.

I completed a bachelors degree in multimedia journalism at Bournemouth University in 2012. Following a summer working as a camera assistant for OBS at the London 2012 Olympic Games, I decided to move to Beijing.

My first job in the Chinese capital was listings editor at the magazine, The Beijinger, promoted from paid intern. After a summer break at home in England, I returned to Beijing in autumn 2013 and this blog was born, tracking my life and career as a journalist in Beijing. 

I was based in Beijing from 2012 to 2018.

These six years were a heady, adventurous, difficult, lonely, rewarding, thrilling, impactful yet oddly unsatisfying time, like a tempestuous love affair. 

I have visited Myanmar, Nepal, Thailand, Malaysia, Singapore, Vietnam, Philippines, Taiwan, Japan, South Korea, and North Korea. And I often wrote reports and features about my host countries.   

From 2019 to September 2020, I was a roving, nomadic, freelance journalist endlessly criss-crossing southeast and east Asia, until the pandemic decided to end it.   

These days I am trying to become a published author and I am a cohort of the 2021 HarperCollins author academy. 

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(Samples of my work)

The psychology behind ‘revenge bedtime procrastination’ 

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Myanmar monks feel the pressure of tourism 

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Is North Korea on your tourism bucket list?

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Inside the weird world of Chinese romance video games

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Where exactly are my British Chinese role models?

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Prada in Pyongyang: North Korea’s new look

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It’s not Communism holding China’s youth back. It’s their parents. 

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I chose to become a migrant, and learned to be a freelancer 

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Meet Colin Huang, who just stepped down as CEO of $100 billion Pinduoduo

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Apple and Samsung duke it out in South Korea

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The surprising place some Korean women are going for a career boost 

Written by Lu-Hai Liang

October 11, 2012 at 2:03 pm

Posted in Features

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